ABBOTT  H.  THAYER 
MEMORIAL  EXHIBITION 


CORCORAN  GALLERY  OF  ART 

WASHINGTON,  D.  C. 


1922 


Digitized  by  the  Internet  Archive 
in  2015 


https://archive.org/details/abbotththayermemOOthay_0 


ayermi 


(  No.  33  ) 
Self-Portrait 
Lent  by  the  Estate  of  Abbott  H.  Thayer 


ABBOTT  H.  THAYER 
MEMORIAL 
EXHIBITION 


THE  CORCORAN  GALLERY 
OF  ART 
WASHINGTON,  D.  C. 


From  Tuesday,  May  9  th,  to  Wednesday, 
May  31st,  1922,  inclusive 


Hours  of  Opening: 

ON  MONDAYS  from  12:00  m.  to  4:30  p.  m.;  ON 

OTHER  WEEK  DAYS  FROM  9:00  A.  M.  TO  4:30 
P.  M.J  ON  SUNDAYS  from  1:30  to  4:30  P.  M. 
on  may  30th  from  10:00  a.  m.  to  2:00  p.  m. 


Copyright,  1922 
The  Corcoran  Gallery  of 


PRESS  OF  GIBSON  BROS.,  INC. 
WASHINGTON,  D.  C. 


BOARD  OF  TRUSTEES 

Charles  C.  Glover  George  E.  Hamilton 

William  A.  Clark  James  Parmelee 

Henry  White  Rudolph  Kauffmann 

C.  Powell  Minnigerode         Thomas  Nelson  Page 
Robert  V.  Fleming 


OFFICERS 

President: 
Charles  C.  Glover 

Vice-President: 
Henry  White 

Secretary  and  Director: 
C.  Powell  Minnigerode 

Treasurer: 
Robert  V.  Fleming 

Secretary  to  the  Director. 
Emily  P.  Millard 


The  Gallery  desires  to  express  its  most  grateful  appreciation  to 
the  following  owners  of  paintings  by  Mr.  Thayer,  who  have  so 
generously  permitted  these  pictures  to  be  included  in  the  exhibition. 

John  F.  Braun,  Esquire 
Timothy  Cole,  Esquire 
George  J.  Dyer,  Esquire 
John  Gellatly,  Esquire 
Miss  Mary  Amory  Greene 
Mrs.  Hendrick  S.  Holden 
Estate  of  Walter  Hunnewell 
Miss  Louise  Kane 
William  Macbeth,  Incorporated 
William  W.  Mathewson,  Esquire 
Albert  Milch,  Esquire 
George  S.  Palmer,  Esquire 
Mrs.  Bruce  Porter 
Smith  College 

The  Misses  Clara  F.  and  Bessie  G.  Stillman 
Estate  of  Abbott  H.  Thayer 
Wellesley  College 
Mrs.  E.  M.  Whiting 
An  Anonymous  Lender 


INTRODUCTION 
By  Virgil  Barker 

T  he  really  important  personalities  of  this  time,  now  obscured 
by  dust-clouds  of  opinions,  will  stand  out  sharp  and  clear 
when  the  air  has  been  washed  by  the  rain  of  years.  As  the 
dust  is  laid,  it  will  become  plain  past  all  denial  that  Abbott 
Thayer  was  a  personage  as  monumental  and  enduring  as 
Monadnock  itself.  He  was  so  by  virtue  of  certain  qualities 
which,  occurring  in  just  the  combination  they  did,  would  have 
made  him  great  in  any  age;  in  this  they  made  him  uniquely 
great. 

To  portray  him  as  an  important  painter  is  to  fall  short  of 
the  whole  truth  concerning  him.  It  is  more  nearly  adequate  to 
point  out  that  he  was  a  great  soul  using  paint  as  his  means  of 
communication.  Though  he  was  entirely  aware  of  the  sheer 
pleasure  of  manipulating  pigment,  his  primary  loyalty  was  given 
to  that  which  it  could  express — which  it  must  express  if  he  were 
to  labor  with  it  to  the  end.  He  never  belittled  himself  in  any 
trivial  game  of  "art  for  art's  sake";  with  him  always  paint  was 
a  language  by  which  to  convey  something.  And  the  medium 
gave  him  most  satisfaction  when  it  did  not  attract  attention  to 
itself  but  allowed  the  long-pondered  conception  to  shine. 

He  was  spirit-brother  to  a  certain  Chinese  painter  whose 
work  was  done  before  the  year  1370.  This  man,  Wang  Li, 
made  many  studies  of  Hua  Mountain,  but  for  a  long  time  his 
efforts  to  paint  his  "idea"  of  that  mountain  came  to  nothing. 
Therefore,  he  says,*  " .  .  .  I  brooded  upon  it  in  the  quiet  of  my 

*  As  translated  by  Mr.  Arthur  Waley  in  The  Burlington  Magazine  for  August, 
1921. 

[VII] 


INTRODUCTION 


house,  on  my  walks  abroad,  in  bed  and  at  meals,  at  business, 
at  concerts,  in  intervals  of  conversation  and  literary  composi- 
tion. One  day  when  I  was  resting  I  heard  drums  and  flutes 
passing  the  door.  I  leapt  up  like  a  madman  and  cried  1 1  have 
got  it ! '  Then  I  tore  up  my  old  sketches  and  painted  it  again. 
This  time  my  only  guide  was  Hua  Mountain  itself  ..."  Had 
Thayer  lived  long  enough  to  see  those  words  in  print,  his  own 
heart  would  have  leapt  in  sympathy  and  exultant  under- 
standing; for  some  such  psychological  experience  he  must  have 
had  with  old  Monadnock.  That  is  why  the  susceptible 
spectator,  in  looking  at  his  painting,  senses  in  it  something 
more  majestic  than  any  momentary  aspect  of  physical  nature, 
a  grandeur  that  has  its  source  in  the  depths  of  all  being. 

It  is  the  same  throughout  the  entire  range  of  Thayer's 
mature  achievement.  A  bowl  of  roses  in  his  hands  becomes 
more  than  a  flower-piece;  it  is  a  glimpse  into  the  very  center  of 
beauty.  And  Thayer's  pictures  of  human  beings  do  not,  like 
the  average  portrait,  show  us  people  who  may  or  may  not  be 
interesting,  according  as  they  are  known  to  us  or  as  they 
exhibit  individuality;  nor  are  his  figure-pieces  mere  arrange- 
ments to  satisfy  the  eye  with  the  pattern  they  make  on  the 
canvas.  Rather  do  they  amaze  us  with  glimpses  of  what  is 
possible  to  our  human  kind  at  our  best— the  purity  of  girl- 
hood, the  responsiveness  of  boyhood,  the  deep  purposiveness  of 
young  manhood,  the  glory  of  womanhood.  The  finest  line 
ever  penned  by  Dr.  Johnson  is, 

"Thy  soul  completes  the  triumph  of  thy  face." 
Thayer's  pictures  of  women  triumph  in  portraying  the  face  and 
the  soul  as  one.    The  secret  of  his  angels  is  that  they  did  not 


[viii] 


INTRODUCTION 


come  down  to  us  from  some  far-removed  heaven  but  rose  up 
from  the  midst  of  us  and  sit  brooding  on  the  mystery  and  the 
splendor  of  our  human  life. 

With  such  an  attitude  towards  his  art,  with  such  aims 
dictating  the  form  of  his  every  creation,  Thayer  succeeded  in 
expressing  something  above  the  reach  of  the  majority  who 
paint.  In  a  generation  for  the  most  part  content  with  tech- 
nical proficiency,  he  went  beyond  the  making  of  pictures ;  in  an 
age  of  painters  he  was  an  artist.  He  brought  to  bear  upon 
each  task  the  weight  and  comprehensive  force  of  a  great  mind. 
Working  always  in  a  style  intensely  personal,  he  never  cheapened 
it  by  exploiting  his  personality.  His  paintings  are  not  the 
clever  product  of  an  assertive  egotism,  but  imaginative  appre- 
hensions of  hidden  beauty.  He  spent  his  life  in  rendering  not 
appearances  but  the  reality  behind  appearances. 

The  precise  aspect  under  which  he  visualized  that  reality 
may  be  defined  as  spiritual  nobility.  Looking  upon  the 
visions  which  Thayer  has  bequeathed  to  us,  we  respond  to  them 
with  the  feeling  which  Carlyle  wisely  praised  as  good  for  man — 
the  feeling  of  reverence.  It  is  only  fitting  that  a  fair  portion  of 
that  reverence  should  be  directed  toward  their  creator  so 
recently  among  us ;  but  it  is  better,  and  more  as  Thayer  would 
have  it,  that  we  should  adore  the  art,  the  idea  in  the  art,  and 
by  emotional  contagion  share  its  inspiriting  power.  The 
finest  works  of  Thayer's  hands  possess  the  inexhaustible  youth 
of  spiritual  beauty;  along  with  the  creations  of  the  elder  gods 
of  art,  they  burn  upwards — 

"  Immortal  incense  out  of  mortal  things." 


[IX] 


CATALOGUE 


CATALOGUE  OF  PAINTINGS 


1  WINGED  FIGURE  1912 
Oil  on  Canvas:  h.  50;  w.  38  inches.    Signed  and  dated: 

Abbott  H.  Thayer  1912.  Illustrated. 
Lent  by  John  F.  Braun,  Esquire. 

2^  BERKSHIRE  HILLS  or  LANDSCAPE  WITH  CATTLE  1879 
A  woodcut  of  this  picture  was  made  by  Timothy  Cole. 
Oil  on  canvas:  h.  24;  w.  32  inches.    Signed  and  dated :  A.  H. 

Thayer  1879.  Illustrated. 
Lent  by  Timothy  Cole,  Esquire. 


3    PASTURE  AND  WOODLAND 

Oil  on  canvas:  h.  27;  w.  20  inches.  Signed:  A.  H.  Thayer. 
Lent  by  Timothy  Cole,  Esquire. 


4    HEAD  OF  A  BOY  191S 
Townsend  Martin. 

Oil  on  canvas:  h.  21;  w.  17  inches.    Signed:  Abbott  H. 
Thayer. 

Lent  by  George  J.  Dyer,  Esquire. 


STEVENSON  MEMORIAL  1903 
Oil  on  canvas:  h.  813^;  w.  60  inches.    Signed  and  dated: 

Abbott  H.  Thayer  1903.  Illustrated. 
Lent  by  John  Gellatly,  Esquire. 


i  ] 


CATALOGUE 


6  PORTRAIT  OF  A  LADY  About  1920 

Mrs.  William  B.  Cabot  of  Boston. 

Oil  on  canvas:  h.  39J/2;  w.  32  inches.    Signed  and  dated: 

Abbott  H.  Thayer  190(?)  (indistinct).  Illustrated. 
Lent  by  John  Gellatly,  Esquire. 

7  CORNISH  HEADLANDS  1898 

Near  Saint  Ives,  Cornwall,  England.    One  of  the  distant 

promontories  is  perhaps  Gurnard's  Head. 
Oil  on  canvas:  h.  30;  w.  40  inches.    Signed  and  dated: 

Saint  Ives  1898  A.  H.  Thayer.  Illustrated. 
Lent  by  John  Gellatly,  Esquire. 

8  A  BRIDE  About  1895 

Oil  on  canvas:  h.  21;  W.  17  inches.    Signed:  Abbott  H. 

Thayer.  Illustrated. 
Lent  by  John  Gellatly,  Esquire. 

9  BROTHER  AND  SISTER  1889 

The  artist's  daughter  Mary  and  son  Gerald. 

Oil  on  canvas:  h.  36;  w.  28  inches.    Signed  and  dated: 

Abbott  H.  Thayer  New  York  1889.  Illustrated. 
Lent  by  John  Gellatly,  Esquire. 

10    MOTHER  AND  CHILD  1886 
The  artist's  first  wife,  Kate  Bloede  Thayer,  and  his  son 

Gerald,  aged  two  years. 
Oil  on  canvas:  h.  36;  w.  28  inches.    Signed  and  dated: 

Abbott  H.  Thayer  Peekskill  1886.  Illustrated. 
Lent  by  John  Gellatly,  Esquire. 

12] 


CATALOGUE 

11    PORTRAIT  OF  A  YOUNG  LADY  1881 
Oil  on  canvas:  h.  20;  w.  16  inches.    Signed  and  dated: 

A.  H.  Thayer  1881.  Illustrated. 
Lent  by  John  Gellatly,  Esquire. 


12    GIRL  IN  WHITE  1888  or  1889 

Margaret  Greene  of  Boston;  a  descendant  of  the  painter 
Copley. 

Oil  on  canvas:  h.  373^;  w.  29J/2  inches.    Signed:  A.  H. 

Thayer.  Illustrated. 
Lent  by  Miss  Mary  Amory  Greene. 


13    PORTRAIT  OF  BEATRICE  1902 
Oil  on  canvas:  h.  63;  w.  32  inches.    Signed  and  dated: 

Abbott  H.  Thayer  1902.  Illustrated. 
Lent  by  Mrs.  Hendrick  S.  Holden. 


14    PORTRAIT  1897 
Bessie  Price. 

Clarke  Prize,  National  Academy  of  Design. 

Oil  on  canvas:  h.  28;  w.  19J^  inches.    Signed  and  dated: 

Abbott  H.  Thayer  1897.  Illustrated. 
Lent  by  Mrs.  Hendrick  S.  Holden. 


15    PORTRAIT  OF  A  YOUNG  GIRL  1891 
Miss  Mary  Hunnewell  of  Wellesley  (Mrs.  Williams). 
Oil  on  canvas:  h.  44;  w.  31  inches.    Signed  and  dated: 

Abbott  H.  Thayer  1891.  Illustrated. 
Lent  by  the  Estate  of  Walter  Hunnewell. 


[3] 


CATALOGUE 


16  ROSES  About  1897 

Oil  on  canvas:  h.  25;  w.  28^  inches.    Signed:  Abbott  H. 
Thayer. 

Lent  by  Miss  Louise  Langdon  Kane. 

17  PORTRAIT  OF  MISS  MATHEWSON  About  1891 

Oil  on  canvas:  h.  24;  w.  19  inches.    Signed:  Abbott  H. 

Thayer.  Illustrated. 
Lent  by  William  W.  Mathewson,  Esquire. 

18  PASSENGER  PIGEONS  1868 

Oil  on  canvas:  h.  18;  w.  14  inches.    Signed:  A.  H.  Thayer 
1868. 

Lent  by  Albert  Milch,  Esquire. 

19  HEAD  OF  SHANDY  1901 

Son  of  Dr.  E.  Channing  Stowell,  of  Dublin  and  Marlboro, 
N.  H. 

Oil  on  canvas:  h.  21;  w.  19  inches.    Signed:  Abbott  H. 
Thayer. 

Lent  by  George  S.  Palmer,  Esquire. 

20  PORTRAIT  (Unfinished)  1908 

Eleanor  Fisher  (Mrs.  Laurence  Grose),  the  artist's 
niece. 

Oil  on  panel:  h.  36;  w.  28  inches.    Signed  and  dated :  Abbott 

H.  Thayer  Monadnock  1908. 
Lent  by  Mrs.  Bruce  Porter. 


[4] 


CATALOGUE 


21  WINGED  FIGURE  1889 

Oil  on  canvas:  h.  503^;  w.  36  inches.    Signed  and  dated: 

Abbott  H.  Thayer  1889.  Illustrated. 
Lent  by  Smith  College. 

22  PORTRAIT,  LADY  IN  WHITE  1883 

Miss  Bessie  Stillman. 

Oil  on  canvas:  h.  36;  w.  28  inches.    Signed:  A.  H.  Thayer. 
Lent  by  the  Misses  Clara  F.  and  Bessie  G.  Stillman. 

23  THE    SISTERS  1884 

Miss  Bessie  and  Miss  Clara  Stillman. 

Oil  on  canvas :  h.  54}^ ;  w.  36  inches.    Signed :  A.  H.  Thayer. 

Lent  by  the  Misses  Clara  F.  and  Bessie  G.  Stillman. 

24  BOY'S  HEAD  1919 

Oil  on  canvas:  h.  29;  w.  22  inches.    Signed:  A.  H.  Thayer, 
1919. 

Lent  by  the  Estate  of  Abbott  H.  Thayer. 

25  SUNRISE— SAN  REMO 

Oil  on  canvas:  h.  37J^;  w.  28  inches    Signed:  Abbott  H. 
Thayer. 

Lent  by  the  Estate  of  Abbott  H.  Thayer. 

26  YOUNG  LADY  IN  WHITE 

Oil  on  canvass:  h.  26;  w.  20  inches.    Signed:  Abbott  H. 

Thayer,  Monadnock,  N.  H. 
Lent  by  the  Estate  of  Abbott  H.  Thayer. 


[5] 


CATALOGUE 


27  BABY  ASLEEP  (a  study)  1879 

William  Henry  Thayer,  2nd;  the  artist's  first  son. 
Oil  on  canvas:  h.  12J^;  w.  i6}/2  inches.  .Signed:  A.  H. 
Thayer. 

Lent  by  the  Estate  of  Abbott  H.  Thayer. 

28  GIRL  ARRANGING  HER  HAIR  About  1909 

(Worked  on  again,  1921).  A.  E.  W.  (Mrs.  GeraldThayer) . 
Oil  on  canvas:  h.  25;  w.  24  inches.     Signed  and  dated: 

A.  H.  Thayer  1918.  Illustrated. 
Lent  by  the  Estate  of  Abbott  H.  Thayer. 

29  MONADNOCK  ANGEL 

Oil  on  canvas:  h.  91;  w.  59J/2  inches. 

Thayer  by  E.  B.  T.  Illustrated. 
Lent  by  the  Estate  of  Abbott  H.  Thayer. 

30  GLADYS 

The  artist's  daughter. 
Oil  on  canvas:  h.  25;  w.  233^2  inches 

Thayer.  Illustrated. 
Lent  by  the  Estate  of  Abbott  H.  Thayer. 

31  PROFILE,  YOUNG  WOMAN  About  1906 

The  artist's  niece,  Eleanor  Fisher. 

Oil  on  panel:  h.  203^;  w.  15^  inches.    Signed:  Abbott  H. 
Thayer. 

Lent  by  the  Estate  of  Abbott  H.  Thayer. 


1920  and  1921 
Inscribed:  A.  H. 


About  1905 
Signed:  Abbott  H. 


[6] 


CATALOGUE 


32  PORTRAIT-STUDY  About  1884 

Oil  on  canvas:  h.  29;  w.  25  inches.   Inscribed:  A.  H.  Thayer 

by  E.  B.  T. 
Lent  by  the  Estate  of  Abbott  H.  Thayer. 

33  SELF  PORTRAIT  1919 

Oil  on  panel:  h.  22;  w.  24  inches.    Signed  and  dated: 

Abbott  H.  Thayer  1919.    Illustrated  as  frontispiece. 
Lent  by  the  Estate  of  Abbott  H.  Thayer. 

34  WINTER  SUNRISE,  MOUNT  MONADNOCK  1919 

Oil  on  canvas:  h.  53;  w.  62  inches.    Signed  and  dated: 

Abbott  H.  Thayer  1919.  Illustrated. 
Lent  by  the  Estate  of  Abbott  H.  Thayer. 


35  BOY  AND  ANGEL  About  1917  to  1920 

Townsend  Martin,  boy  in  picture. 

Oil  on  panel :  h.  61 ;  w.  49  inches.    Signed  and  dated :  Abbott 

H.  Thayer  April  2,  1920.  Illustrated. 
Lent  by  the  Estate  of  Abbott  H.  Thayer. 

36  ANGEL  OF  DAWN  About  1909  {Finished  1918) 

A.  E.  W.  (Mrs.  Gerald  Thayer). 

Oil  on  canvas:  h.  102}/~>;  w.  62J^  inches.    Signed  and 

dated:  Abbott  H.  Thayer  1919.  Illustrated. 
Lent  by  the  Estate  of  Abbott  H.  Thayer. 


[7] 


CATALOGUE 


37    LADY  IN  GREEN  VELVET      About  1910  {Finished  1918) 
A.  E.  W.  (Mrs.  Gerald  Thayer). 

Gold  medal  and  first  prize,  International  Exhibition,  Car- 
negie Institute,  Pittsburgh,  1919. 

Oil  on  canvas:  h.  49J/2  5  w.  37  inches.  Signed :  Abbott  H. 
Thayer.  Illustrated. 

Lent  by  the  Estate  of  Abbott  H.  Thayer. 


38    PORTRAIT  OF  ALICE  FREEMAN  PALMER 
President  of  Wellesley  College,  1882-1887. 
Oil  on  canvas:  h.  50;  w.  36  inches.    Signed:  Abbott  H. 

Thayer.  Illustrated. 
Lent  by  Wellesley  College. 


39    PORTRAIT  OF  THE  ARTIST'S  SISTER  1879 
Sue  Thayer  (Mrs.  E.  M.  Whiting). 
Oil  on  canvas:  h.  23;  w.  19  inches.    Signed:  A.  H.  Thayer. 

Illustrated. 
Lent  by  Mrs.  E.  M.  Whiting. 


40    PORTRAIT  OF  A  BOY  1905 
Henry  Thayer  Whiting,  the  artist's  nephew. 
Oil  on  canvas:  h.  24J/2;  w.  22J/2  inches.    Signed  and  dated: 
begun  1903  Abbott  H.  Thayer  Monadnock  1905.  Illus- 
trated. 

Lent  by  Mrs.  E.  M.  Whiting. 


41    FIGURE,  HALF-DRAPED  About  1885 

Oil  on  canvas:  h.  713^;  w.  48  inches.    Signed :  A.  H.  Thayer. 

Illustrated. 
Lent  Anonymously. 

[8j 


CATALOGUE 


42    STUDY  HEAD  OF  A  YOUNG  GIRL 

Oil  on  canvas:  h.  16;  w.  13  inches.    Signed:  A.  H.  Thayer. 


DRAWINGS 


A  comprehensive  collection  of  ninety  four  water  colors,  drawings 
and  sketches,  is  included  in  the  exhibition,  the  indvidual  titles 
of  which  are  not  listed  in  this  catalogue. 


[9] 


ILLUSTRATIONS 


(No.  1  ) 
Winged  Figure 
Lent  by  John  F.  Braun,  Esquire 


(No.  2  ) 

Berkshire  Hills  or  Landscape  with 
Lent  by  Timothy  Cole,  Esquire 


(  No.  5  ) 
Stevenson  Memorial 
Lent  by  John  Gellatly,  Esquire 


(No.  6 ) 
Portrait  of  a  Lady 
Lent  by  John  Gellatly,  Esquire 


(  No.  7  ) 
Cornish  Headlands 
Lent  by  John  Gellatly,  Esquire 


(  No.  8  ) 
A  Bride 
Lent  by  John  Gellatly,  Esquire 


(No.  9) 
Brother  and  Sister 
Lent  by  John  Gellatly,  Esquire 


(No.  10) 
Mother  and  Child 
Lent  by  John  Geliatly,  Esquire 


(No.  11  ) 
Portrait  of  a  Young  Lady 
Lent  by  John  Gellatly,  Esquire 


(No.  12) 
Girl  in  White 
Lent  by  Miss  Mary  Amory  Greene 


(No.  13) 
Portrait  of  Beatrice 
Lent  by  Mrs.  Hendrick  S.  Holden 


(No.  14) 
Portrait 
Lent  by  Mrs.  Hendrick  S.  Holden 


(No.  15) 
Portrait  of  a  Young  Girl 
Lent  by  the  Estate  of  Walter  Hunnewell 


(No.  17) 
Portrait  of  Miss  Mathewson 
Lent  by  William  W.  Mathewson,  Esquire 


(  No.  28  ) 
Girl  Arranging  Her  Hair 
Lent  by  the  Estate  of  Abbott  H.  Thayer 


(  No.  29  ) 
Monadnock  Angel 
Lent  by  the  Estate  of  Abbott  H.  Thayer 


(No.  30) 
Gladys 

Lent  by  the  Estate  of  Abbott  H.  Thayer 


(  No.  34  ) 

Winter  Sunrise,  Mount  Monadnock 
Lent  by  the  Estate  of  Abbott  H.  Thayer 


(  No.  35  ) 
Boy  and  Angel 
Lent  by  the  Estate  of  Abbott  H.  Thayer 


(  No.  36  ) 
Angel  of  Dawn 
Lent  by  the  Estate  of  Abbott  H.  Thayer 


(  No.  37  ) 
Lady  in  Green  Velvet 
Lent  by  the  Estate  of  Abbott  H.  Thayer 


(  No.  38  ) 

Portrait  of  Alice  Freeman  Palmer 
Lent  by  Wellesley  College 


(  No.  39  ) 
Portrait  of  the  Artist's  Sister 
Lent  by  Mrs.  E.  M.  Whiting 


(  No.  40  ) 
Portrait  of  a  Boy 
Lent  by  Mrs.  E.  M.  Whiting 


(  No.  41  ) 
Figure,  Half-Draped 
Lent  Anonymously 


